Signpost: Leviticus

WELCOME TO THE TABERNACLE CORPS!
HERE ARE YOUR POST ORDERS

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Signpost: Deuteronomy

FINAL MISSION BRIEFING
SORRY I CAN’T GO WITH

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Signpost: Numbers

SIX HUNDRED THOUSAND PLUS WARRIORS…
AND ONLY TWO WILL GO IN

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Signpost: Exodus

LET’S BLOW THIS LEEK & ONION STAND!
NOW HERE’S THE DEAL …

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Signpost: Genesis

WE BROKE IT
SATAN STOLE IT
GOD’S FIXING IT

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Signpost: The Revelation

SPOILER ALERT:
IT CAN AND WILL GET WORSE
BUT JESUS HAS GOT THIS

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A “Racial” Observation

Just a thought: Assuming that

  • dark skin is a function of melanin content,
  • either
    • microevolution (here, resulting the separation of a species into various cross-fertile subgroups) includes a “use it or lose it” clause or
    • when “birds of a feather flock together” the flocks tend to score more consistently in the Mendelian genetic lottery,

    and

  • the human race originated somewhere between Tanzania and Iran, spreading out to populate the rest of the planet,

then one can speculate that

  1. the reason “white” people (pink, actually) have their particular skin color is that
    • their ancestors settled in a region that was less battered by the sun, so that the protection afforded by melanin pigmentation was either less necessary or not necessary at all, or
    • people of similar skin tone simply sought each other out during the global diaspora.

    Which means that

  2. physically, the one immediately discernible distinction between “white” people and “black” people is not that “black” people lack something. It’s the “whites” who are deficient.
  3. Certainly in that respect, “white supremacy” has it all bass-ackward. So does anything that hints that lighter-skinned “black” people are to be preferred over darker-skinned. As a pink person, I am deficient in something that my darker-skinned brothers and sisters possess more richly. And they are closer to the original design of humanity than I am.
     
    And finally,
     
  4. All those paintings of scenes in and around the Garden of Eden need to be drastically revised in the interest of accuracy. Our first parents should be depicted not in tones of ivory or cream, but of the deepest ebony and obsidian.

I, for one, can hardly wait.

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My Country, ’Tis of Thee, Sweet Land of 50,000V

Dawn’s Early Light: A Ministry of Peculiar Occurrences Novel. By Pip Ballantine and Tee Morris. New York: Ace Books, 2014.


Napoleon Solo and Illya Kuryakin . . .
Kelly Robinson and Alexander Scott . . .
John Steed and Emma Peel . . .
Scarecrow and Mrs. King . . .
Annie Walker and Auggie Anderson . . .
Agents Ward and Skye . . .

. . . Wellington Thornhill Books and Eliza D. Braun.

Dawn's Early Light coverThe annals of popular espionage fiction — especially the sort that’s written and read in a spirit of fun — resound with tales of teammates who became friends, and, in more recent pairings, considerably more than friends. (Spouses Pip Ballantine and Tee Morris could be added to the latter group, but I doubt their story bears any similarity whatever to those in the above list.) In the case of Agents Books and Braun of HRM Queen Victoria’s Ministry of Peculiar Occurrences, romantic tension can be frustrating, especially when it interferes with getting the job done. And when the job involves airships mysteriously disappearing off the coast of North Carolina, you really don’t want distractions.

Books and Braun illustrate two time-honored principles. The first one — “Opposites Attract” — is widely repeated. The second — “Opposites Have a Devil of a Time Communicating” — is widely swept under the rug but refuses to stay hidden. It’s tragic in a drama, but in a comedy it makes for considerable will-they-or-won’t-they fun.

And make no mistake: Dawn’s Early Light is fun.

You see, toward the end of their previous book-length adventure, The Janus Affair, Wellington Books planted a solid one on Eliza Braun in the Ministry’s Archives, and Eliza is still trying to deal with it. She remembers him saying he considered her safety more important than that of the Ministry itself . . . but since then, nothing. He’s been the perfect gentleman, but that’s about it.

Nor are things any more encouraging on the other side. Now that the Ministry has assigned Books and Braun to assist colleagues in the United States (partly as a way of getting them out of the English spotlight; while they did solve their last case, it was most definitely not by the book), Books discovers that agent “Wild Bill” Wheatley of America’s OSM (Office of the Supernatural and Metaphysical) is tall, handsome, rugged, and likes to play with guns. In other words, he’s just the kind of guy Eliza Braun would go for. And that’s exactly what she seems to be doing.

Meanwhile, the four of them — the fourth being the beautiful Felicia Lovelace, who promptly sets her cap for Wellington Books — must find out why dirigibles are vanishing, crew and all, off the Outer Banks. Is a supernatural manifestation to blame? If so, then why would Thomas Edison show up in the middle of it all — in circumstances that make him look like the villain of the piece? And what connection does it have to Ministry consultant Nikola Tesla and perennial Ministry nemesis the House of Usher?

As you can guess from the cover’s tagline, “Ministry affairs can be truly shocking,” electricity is involved. We are still firmly within the “steampunk” genre, but here the hiss of steam is in energetic dialogue with the zap of electrical current.

Like its two predecessor novels, Phoenix Rising and The Janus Affair, Dawn’s Early Light revels in steam-powered technology, operating non-stop. Much of it is provided by Agent Books, who is no slouch with a screwdriver and who maintains a marginally respectful relationship (in point of fact, he’s less than impressed) with the Ministry’s Research and Design department. That department, the Ministry’s equivalent of Q Branch, provides some nifty weaponry; but it’s Books who shows us that Babbage’s Analytical Engine can be engineered into a laptop. Of course, no secret agent’s adventures would be complete without an impressive automobile, and Books not only designs and builds but brings to America a motorcar that … well, let’s just say that Ian Fleming would be delighted.

Where Books specializes in knowledge (he is Chief Archivist of the Ministry, after all) and technology, Eliza Braun specializes in smiting men (via flirt or fist) and making things go boom. All their talents get quite a workout as they go from the East Coast to the Wild West to the even wilder West Coast, investigating skullduggery and pursued by skullduggers aplenty. The action does not let up for a moment — authors Ballantine and Morris maintain a pace that alternates between physical and emotional tension, keeping the story moving and the reader anticipating. And there’s a lot to anticipate, because disappearing dirigibles are only the beginning of the villainous plot. The Electric Age is coming to America, and its chief architect does not mean us well.

As for sparks between our two Ministry agents … I’ve learned not to try outguessing Pip Ballantine and Tee Morris. Peculiar Occurrences can crop up at any time, you know.


Tales from the ArchivesClerk’s postscript: If it sounds as though this writer has had some experience with the Ministry of Peculiar Occurrences, it’s true. Along with their books of the Ministry, Pip and Tee also present short stories in their series Tales from the Archives, which appears both in print and as a Parsec Award–winning podcast.

Volume III of the Tales contains my story “And Why the Sea Is Boiling Hot,” addressing the remarkable invention of the æthergates, which play a part in various Ministry accounts. For specifics, please see www.ministryofpeculiaroccurrences.com.

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The wondrous WEATHER CHILD will soon be born!

Awhile back, in a discussion about magic, I referred to Philippa Ballantine’s marvelous New Zealand novel Weather Child, in which magic is done by a team of a human and a symbiont called a seraphim who dwells within the human on the cellular level.1 Weather Child was well received in its initial, podcast form, and many eagerly awaited its print publication.

That blessed event is finally coming to pass. Imagine That! Studios will publish Weather Child on 1 March — and today, on Waitangi Day, the 174th anniversary of New Zealand’s founding, Ms. Ballantine has released the book’s cover to Internet viewers. Designed and executed by Alex White of The Gearheart, this thing of beauty may be seen over at www.pjballantine.com.

Incidentally, Ms. Ballantine met with a puzzling reception from major publishers who said that Americans didn’t want to read stories set in New Zealand. I suspect that may have been their marketing voice (which, let’s face it, is often clue-impaired) rather than their editorial voice — I can just hear Jay Leno saying, “Oh, right, because if there’s one thing American SFF readers just can’t stand, it’s stories that let you discover new, unfamiliar worlds!” One can hope that Peter Jackson’s Tolkien films, not to mention TV predecessors Hercules: The Legendary Journeys and Xena: Warrior Princess, have managed to kill that attitude dead, dead, dead.

I intend to be standing in line when Weather Child arrives. I think you’ll want to be, too.

  1. Yes, I know that’s a Hebrew plural. There may well be a reason for this which Ms. Ballantine hasn’t yet revealed. []
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Signpost: Facing disaster

WHEN FACING CATASTROPHE

DON’T ASK, “WHY?”

INSTEAD ASK YOURSELF:

“WHAT SHALL I DO NEXT?”

IN ANSWERING THAT

YOU’LL ALSO ANSWER THE “WHY”

“Burma-Shave.”

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